In the heart of Ghent stands a massive silhouette that looks like something out of a medieval history book: the Castle of the Counts of Ghent. Fortified towers, imposing ramparts, austere keep – this fortress seems to have watched the city unchanged for centuries. And with good reason. It’s the only medieval fortified castle in Flanders whose defense system has remained virtually intact. But if its appearance is impressive, it’s above all its past, as dark as it is unexpected, that intrigues. Count’s residence, courthouse, torture chamber, industrial factory and cultural symbol – few monuments can boast of having lived so many lives.
The Castle of the Counts of Ghent – a fortress of power, justice… and fear
Built in 1180 by Count Philippe of Alsace, this fortress was no mere place of residence. It was first and foremost a tool of political domination, designed to assert the authority of the Counts of Flanders over the city of Ghent. The complex included a guardhouse, defensive ramparts, a central keep, stables and residential apartments.
But the castle was also a place of medieval justice. Even today, some of the rooms are still spine-chilling. In the former larder, transformed into an executioner’s cabinet, a unique collection of torture instruments is on display : chains, shackles, pliers and other chilling objects recall a time when justice often rhymed with cruelty. The courtroom, meanwhile, reveals an impressive collection of judicial objects, bearing witness to the château’s central role in the administration of the law.
From industrial derelict to Ghent cultural icon
At the end of the XVIIIᵉ century, the château‘s destiny changed. Sold to private individuals, it was transformed into an industrial complex. In 1807, a cotton factory was set up and some fifty families crammed into its outbuildings. When this activity ceased, the site was abandoned, falling into an alarming state of insalubrity.
It wasn’t until theGhent World’s Fair in 1913 that the monument was saved. Restored and upgraded, it now has a new meaning and has become one of the city’s major cultural symbols. Today, it hosts events such as the Ghent Festivities, and continues to surprise.
The latest contemporary wink: during theVan Eyck Year (2020-2021), Spanish artist Taquen has created a mural inspired by The Man in the Red Turban, considered a self-portrait by Jan van Eyck. A secret work, visible only from a very specific tower… like an ultimate treasure hunt between art, history and mystery.
A place to explore slowly, with eyes wide open!